In Lake Tahoe, director and co-writer Fernando Eimbcke displays a gentle but controlled sensibility in telling a quiet story that has an almost universal resonance. To clear up confusion straight away, I should point out to those interested that the film's title has no relation to its locale. Lake Tahoe is set firmly in contemporary Mexico, although I can't be more specific than that. Nevertheless, there is logic behind the title, which I won't explain here. Eimbcke's film won major prizes at the Berlin and Cartegena Film Festivals, and at the Mexican Academy Awards (the Ariels), yet it failed to find a theatrical distributor in North America. We are lucky that Film Movement snapped up the DVD rights of this fine film.
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