Jeff Bridges is often cast as characters who are gregarious, physically expressive, and energetic. In A Dog Year, he plays an inward-looking version of the real writer Jon Katz, who authored a book of the same name. HBO's film version of that story (written and directed by George LaVoo) traces a difficult period in Katz's life when he was separated from his wife, took on a new dog, and experienced a heavy dose of writer's block. The movie belongs to Bridges and the Border Collie his character adopts, Devon. At a brisk but focused 80 minutes, A Dog Year is never cutesy nor does it strive to be "family friendly." It's a character-focused story about a man who was almost impossible to get along with, whose isolation brought him face-to-face with a dog who was almost as difficult as he was.
Katz lives in a big house in New York with two Labrador retrievers. His daughter is away at college, and his wife is, well, away. Katz lumbers around the house wearing the same thing day after day, eating crappy processed foodstuffs, and primarily engaged in the activity of not writing. He decides to spice things up by acquiring a third dog - this time through a dog rescue organization. Black-and-white Devon arrives by air, in a crate, filthy, malnourished, injured, and psychotic. Katz treats Devon with a combination of unconditional love and total bafflement. He is unable to deal with the reasons for the dog's behavior, which mirrors his block as a writer - he either refuses or is unable to look past the surface of things and grapple with the real and obvious problems.
Although the film is eminently enjoyable, there are a couple of things that bothered me. Number one is Katz's ignorance about Border Collie anxiety and behavior. As working dogs, urban and suburban Border Collies' genetic instincts make them behave fundamentally differently from almost every other breed. The fact that Katz never grasps the disconnect that a previously-abused Border Collie might experience in a new environment is beyond me.
Also problematic is the abrupt ending, which shows Katz finally getting a handle on Devon after retreating to the countryside and seeking the help of a farmer familiar with working dogs. Devon finally begins to learn something about obedience, but the film ends before we see any sustained change through the training process, which surely must have taken some time.
But I don't want to harp on negatives, because A Dog Year is a charming movie. Bridges is excellent, as usual, in an understated, quiet role as the grouchy, misanthropic Katz. He pinches his mouth in a frog-like frown throughout the picture, and wears the same costume almost nonstop. Bridges is always unafraid to look like shit, and this serves him particularly well here. The dog(s) playing Devon are ideal, and Devon is quite a meaty role, too, going through marked changes in behavior. Of course, more than one dog was used, but this had to have been a major challenge for writer-director LaVoo, who had to capture the right behavior from the dog-actors. Still, the total performance of "Devon" is seamless. It's an especially impressive achievement given the fact that he had to maintain the film's ultimate focus on Katz's evolution while corralling all this dog action.
A Dog Year is a small film, but an engrossing and believable one. Films that pair animals with stars are not kindly looked upon by the film-going public, because they have endured Our Gang shorts and Oh, Heavenly Dog! and the Beethoven franchise. But A Dog Year is an adult story, told maturely, that avoids bleeding over into mere animal "hijinx" for the sake of easy laughs. Devon is as real a character as Katz, and that is an accomplishment.
Katz lives in a big house in New York with two Labrador retrievers. His daughter is away at college, and his wife is, well, away. Katz lumbers around the house wearing the same thing day after day, eating crappy processed foodstuffs, and primarily engaged in the activity of not writing. He decides to spice things up by acquiring a third dog - this time through a dog rescue organization. Black-and-white Devon arrives by air, in a crate, filthy, malnourished, injured, and psychotic. Katz treats Devon with a combination of unconditional love and total bafflement. He is unable to deal with the reasons for the dog's behavior, which mirrors his block as a writer - he either refuses or is unable to look past the surface of things and grapple with the real and obvious problems.
Although the film is eminently enjoyable, there are a couple of things that bothered me. Number one is Katz's ignorance about Border Collie anxiety and behavior. As working dogs, urban and suburban Border Collies' genetic instincts make them behave fundamentally differently from almost every other breed. The fact that Katz never grasps the disconnect that a previously-abused Border Collie might experience in a new environment is beyond me.
Also problematic is the abrupt ending, which shows Katz finally getting a handle on Devon after retreating to the countryside and seeking the help of a farmer familiar with working dogs. Devon finally begins to learn something about obedience, but the film ends before we see any sustained change through the training process, which surely must have taken some time.
But I don't want to harp on negatives, because A Dog Year is a charming movie. Bridges is excellent, as usual, in an understated, quiet role as the grouchy, misanthropic Katz. He pinches his mouth in a frog-like frown throughout the picture, and wears the same costume almost nonstop. Bridges is always unafraid to look like shit, and this serves him particularly well here. The dog(s) playing Devon are ideal, and Devon is quite a meaty role, too, going through marked changes in behavior. Of course, more than one dog was used, but this had to have been a major challenge for writer-director LaVoo, who had to capture the right behavior from the dog-actors. Still, the total performance of "Devon" is seamless. It's an especially impressive achievement given the fact that he had to maintain the film's ultimate focus on Katz's evolution while corralling all this dog action.
A Dog Year is a small film, but an engrossing and believable one. Films that pair animals with stars are not kindly looked upon by the film-going public, because they have endured Our Gang shorts and Oh, Heavenly Dog! and the Beethoven franchise. But A Dog Year is an adult story, told maturely, that avoids bleeding over into mere animal "hijinx" for the sake of easy laughs. Devon is as real a character as Katz, and that is an accomplishment.
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